Symbolically, these paintings represent the world of the striving human being and embody an enhanced soul state. As we contemplate these works, the soul can become like a colourful garden that we tend to and re-enliven. They seek to release the creative potential of the unconscious mind into an imaginative awakening. They embody the tenets of truth, beauty and goodness – ideals that encapsulate high human endeavour.
Symbolically, these paintings represent the world of the striving human being and embody an enhanced soul state. As we contemplate these works, the soul can become like a colourful garden that we tend to and re-enliven. They seek to release the creative potential of the unconscious mind into an imaginative awakening. They embody the tenets of truth, beauty and goodness – ideals that encapsulate high human endeavour.
Symbolically, these paintings represent the world of the striving human being and embody an enhanced soul state. As we contemplate these works, the soul can become like a colourful garden that we tend to and re-enliven. They seek to release the creative potential of the unconscious mind into an imaginative awakening. They embody the tenets of truth, beauty and goodness – ideals that encapsulate high human endeavour.
THE ALTAR OF HEAVENLY LOVE
MAPLE WOOD
The impetus for this series
of paintings and altarpieces that formed the exhibition Roses of the Soul, was to facilitate inner states of well-being, reverence and devotion.
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I thank Sebastian Bissinger
of Splinters and Pixels for his masterful work in building these pieces.
THE ALTAR OF THE RED ROSE
BEECH WOOD
Photos by Catherine Cattanach